HOW TO CHANNEL A SCRIPT OR NOVEL WITH YOUR DAYDREAM CENTER, THE THIRD EYE
IT WILL BE ORIGINAL! NOT DERIVATIVE! IT WILL SELL!
You must remember this, a kiss is just a kiss...
a sigh is still a sigh. The fundamental things don't change.
As times go by
When starting out as a writer, get in the habit of STAYING away from your 'stored' ideas, concepts, philosophies, words and from your BRAIN IN GENERAL. Cuz you'll just get a rehash of things we all saw at the movies, just as you saw them. We want ORIGINALITY. The next Casablanca.
So instead, USE THE THIRD EYE. Channel your ideas from the unconscious, the right brain and you won't
be derivative. Trust the ultimate playwright, the soul. Do channeling -- meaning you trance out, and ask higher self to show you the first scene of your movie. Grandma was a Ziegfield gal and you want to do that script? OK. We can waste an hour on that useless piece of commercial trash before we do the CHAPTER ON SOUL THEMES.
So the great ex chorus girl/beauty movie. Well, our 'regular' daytime brain will start to cast it. Virginia Mayo, Tonyls wife, these are a mixed bag, stupid blondes, smart brunettes, ones. sentimental ones, wounded ones, like the ex wives club movie.a mixed bag of classic female types and ALL OF THEM DANCED, right? YOUR MIND knows the territory and you have Granny's album there. But wait, that's the derivative movie. That's not what your SOUL wants to write. However your SOUL has not been giving you p ulses. So we must get a spark plug or battery and alternator going so the SOUL CAN SPEAK. YOUR SOUL
YOUR UNCONSCIOUS knows vast, uncharted territories. Grandma's day on Broadway and how she married the Security Guard when she could have been Ziegfield's sweetie and a star... that can wait.
Ditch the brain, as the brain has screwy concepts, most of them uncommerical even though YOU THINK they' are so original and commercial. Granny turns down FLO? I'm walking out of THAT movie. I want the one where she HOOKS UP WITH HIM.
Anyway THE BRAIN doesn't write GREAT. It is too literal. The brain can write well but not great Usually it just vomits out what someone stuck in it, And all kinds of garbage litters its interior. Old Cagney movies. Old soaps. Grandma's true story.
But one thing a brain does. A brain knows form. It has seen two thousand movies and knows HOW to set anything on paper. Telling details on our character first reel. Hero in a quandry second reel. Danger/ villain third reel.
So not to worry. Brain instinctively follows Plato's rules for script form and it will also set the GOOD STUFF on paper. Now shift gears. Go into, meet the soul and learn to trust the infinite you. The one who flies blind. When the third eye wants something it can COME UP WITH IT. get into the nada of NOT KNOWING, existential buddha mind. INFINITE MIND. .
TO START that higher gear going you might ask yourself, what do people today NEED TO HEAR. That is a great stimulus to your soul. Nudge it and ask it, SOUL? What does my country, the movie audiences hear, need to know. WHAT DID I SEE that they need to know, see in technicolor. How two working parents destroy children? How tired out, money spending, credit card debt mommies can't be true mommies? How a cave woman in Afghanistan who can't go outdoors is a better MOM? OK. Write that concept in your notebook and MOVE ON. We are going to see all the things that your SOUL LEVEL YOU is fermenting in there.
Youll get climate change, REO to rentals, Wall Street Run Amok. I know, we all do. Well, see your first scene on any of these movies. Your climate chang emovie could start i na world where everyone wears a gas mask and hip filter.
ANOTHER STIMULUS to start your soul going. What do I alone know? What was I buitl to tell. What could I alone contribute to screen audinnces ro readers as a first novel. so we get the double sale book then film rights later royalties. Triple cash in. (Oh I'm soulular alright!)
We're talking cash success. That comes from originality. And THAT comes from NOT THINKING, Just going to the third eye to SEE the movie unspool like magic. So, enuf motivation to do a disk wipe? OK. space out, get comfy, do some green tea and yoga. Do a joint. Glass of wine maybe (not both.) Go up in the visual eye. See what you went thru in life, your most dramatic chapters. ANYTHING in that? What lesson did YOU PERSONALLY get out of that grief? Is that your book, or maybe the background of your main character? A private investigator. whose wife and kids are gone is a tad more interesting than Dick Tracy. Let your soul show you that scene, the key scene the day your wife packed. The day your father or boss told you that thing.
Maybe that's the starting pt. Because when you do an envisualization, you start with a scene. The scene your SOUL throws at you in your interior screen, your third eye day dream center. Or it can be the idea of what you were part of. That time in the Army. The war. The nausea. Again an existential word, I'm all Sartre today. So what's that about? Existential PARIS? The nihilistic beliefs of the post war period? Maybe you're Alan Furst who writes those novels. Maybe this was his 'channeling session.'
Keep the brain box so empty, so static free that any 'suggestion' you get, you 'go with.' Slow the breath, three breaths a minute. You will get clear and unbusy and see either your mission or past trauma or soulular message for humanity, any of which gives you NOT the thru plot. BUT YOUR FIRST SCENE. Be like the audience. You do not KNOW what comes next. And you do not cheat and use your mind to figure out. No, stay in the THIRD EYE and say, 'and then?' triggering the next visual scene. Stay in visuals. Trust them.
But if you have something nagging on your mind, like today's headline that space dust is tocix, and you are thinking unduly about that, Take a space trip today. It's only ONE idea. You only go a few scenes into yoru idea. You can do another one after a cup of tea at lunch or a third at tea time ... so if you feel a throbbing plot in your heart like 'going into space you pick up some nasty microbes, folks should know that. A.) you're probably paranoid and B.) paranoids make great writers. More than a few flicks have been done off that concept.. from Alien to Space Vampires (Life Force by colin wilson) or that first one by michael.. who wrote congo and disclosure and the japanese one. His microbe movie.
SCREENPLAYS really are easiest form to write. Use the CARDS we make in third eye before you use the PARAMOUNT STUDIOS FORM. To get cards, VISUALIZE it shot by shot. ASK YOUR SOUL to show you what TYPE of film it is, war, western, romance, spy thriller. ONCE you have THAT, ask UNCON to show you what the first shot is. AS A DAYDREAM VISION.
GET BACK TO me on what your soul shows you.
Then write it down, scribble in print, 'maria doing x, talking to Arnold
she's saying to the governator "I want a divorce" basic dialogue, just see where they're going.
you cheated, you had a baby with the maid." I had One sexual episode
with her, just one. it made me sick too" he responds. One lapse, ten
years ago, you are going to hold that against me?"
THEN shut eyes, see second shot.
see third. see fourth. See her throw the china dish, etc.
Children come into kitchen. She pretends it slipped out of her hand.
You scribble it so you don't come out of trance. while you still
remember what these scribbled notes mean, record it in a file on PC. IN
DIRECTORY entitled MY NOVEL /script IDEAS. BUT AVOID THIS IDEA
as it's tiresome. MOVIES about folks FIGHTING are AWFUL!
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